Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made against each other in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay for your unrest? Katniss. And what's worse, President Snow has caused it to be clear that no person else is safe either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to get one from the most mentioned books with the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended being a trilogy. Did it actually end just how you planned it from the beginning?

A: Very much so. While I didn't know every detail, of course, the arc with the story from gladiator game, to revolution, to war, to the eventual outcome remained constant through the entire writing process.

Q: We understand you worked about the initial screenplay for any film being based on The Hunger Games. What may be the biggest difference between writing a novel and writing a screenplay?

A: There was several significant differences. Time, for starters. If you are adapting a novel right into a two-hour movie you can not take everything with you. The story has to be condensed to suit the new form. Then there's the question of methods best to adopt a novel told within the first person and offer tense and transform it right into a satisfying dramatic experience. In the novel, you won't ever leave Katniss for any second and therefore are privy to all of her thoughts so you may need a approach to dramatize her inner world and to create it easy for other characters to exist beyond her company. Finally, you have the challenge of how you can present the violence while still maintaining a PG-13 rating in order that your core audience can view it. A lots of situations are acceptable on a page that couldn't survive on the screen. But how certain moments are depicted may ultimately be inside the director's hands.

Q: Are you capable of consider future projects while working on The Hunger Games, or are you immersed within the world you're currently creating so fully it is just too difficult to consider new ideas?

A: I've several seeds of ideas going swimming within my head but--given a whole lot of of my focus continues to be on The Hunger Games--it will probably be awhile before one fully emerges and I can commence to develop it.

Q: The Hunger Games is a yearly televised event where one boy the other girl from each of the twelve districts is made to participate in the fight-to-the-death on live TV. What can you think that the benefit of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an fascination with seeing who wins. The contestants are usually unknown, which means they are relatable. Sometimes they've got very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I have found very disturbing. There's also the opportunity for desensitizing the audience, to ensure that when they see real tragedy playing out on, say, the news, this doesn't happen hold the impact it should.

Q: In the wedding you were made to compete inside Hunger Games, what can you think your special skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope could be to obtain hold of the rapier if there were one available. But the facts is I'd probably get about a four in Training.

Q: What can you hope readers can come away with whenever they read The Hunger Games trilogy?

A: Questions about how precisely elements with the books could be relevant in their own lives. And, if they're disturbing, the things they might do about them.

Q: What were some of the favorite novels when you are a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord from the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but now it is for world control. While it can be a clever twist for the original plot, it means that there exists less focus about the individual characters plus more on political intrigue and large scale destruction. That said, Carolyn McCormick is constantly on the breathe life into a less vibrant Katniss by showing her despair both at those she feels accountable for killing and and also at her motives and choices. This is surely an older, wiser, sadder, and incredibly reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn from the rebels and the victim of President Snow, who uses Peeta to try to control Katniss. Peeta's struggles are very evidenced as part of his voice, which goes from rage to puzzlement for an unsure come back to sweetness. McCormick also helps make the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but also respects the individuality and different challenges of each and every of the main characters. A successful completion of your monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.